The dude was downright affable, kind, and eager to discuss where his music previously has taken him–and where he is currently taking his music. We discussed the process by which Tuesday the Sky‘s decidedly non-metallic sonic screenplays come into being. Matheos has a long-standing reputation for basically being a hermit, but I found zero evidence of that. ” The upcoming sophomore offering from Tuesday the Sky, “The Blurred Horizon,” sees Matheos continuing the path set by its predecessor: loops galore, subtle samples, and moments that recall the likes of Tangerine Dream and Buckethead.Ī frustratingly spotty Internet signal somewhere in rural New England meant exchanging text messages with someone who has had a big impact on my life. Indeed, my own first impression (see what I did there?) of “Drift” was that it sounded like the dreamy flourishes that adorned Fates Warning albums like “FWX,” “Disconnected,” and “A Pleasant Shade of Gray. This is pretty much the opposite of that.
“I toyed with the idea of releasing “Drift” as a solo album with my name on it,” Jim says of the 2017 debut from Tuesday the Sky, “I didn’t want people to be confused, thinking this was another organic acoustic record. Whereas his primary gig is a collaboration with Ray Alder, and OSI was a partnership with Kevin Moore, Tuesday the Sky is all him, with a few friends pitching in to help Jim realize his vision.
#FATES WARNING AND YET IT MOVES LYRICS FULL#
The beautifully weird solo project from Fates Warning honcho Jim Matheos is the closest thing to a full solo vehicle these days.
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